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Emma DVD (1996)

Most people didn't mind Gwyneth Paltrow's English accent in this charming, 1996 adaptation of Jane Austen's novel (which also inspired Clueless). But even if it doesn't sound quite right to you, there are plenty of authentic and wonderful Brit thespians in this film by screenwriter-turned-director Douglas McGrath (co-author of Woody Allen's Bullets Over Broadway), including Juliet Stevenson (Truly Madly Deeply), Alan Cumming (Buddy), Phyllida Law (Much Ado About Nothing), Ewan McGregor (the Scots star of Trainspotting), and Sophie Thompson, outstanding and finally heartbreaking as the chattering Miss Bates. Paltrow plays Austen's benign busybody, Emma Woodhouse--so busy trying to arrange the lives of others that she is sidestepping her own. McGrath brings a kind of pretty and light touch to the production, his best move the wise delegation of creative authority to the actors themselves. --Tom Keogh

Emma DVD (1997)

This delicious Emma concerns a young woman of financial substance (Kate Beckinsale), who fancies herself a matchmaker, especially with shy Miss Harriet Smith (Samantha Morton, who also appears in A&E's Jane Eyre). In Emma's swirling world of social activity and social consciousness, one's position and stature is a constant preoccupation. But to her credit, Emma, albeit a busybody, has compassion for all classes, and for her kindly but hypochondriacal father (Bernard Hepton). This miniseries is more subtle than the grand theatrical release, is truer to the novel, and gives a richer explanation of the relationship between Emma associates Jane Fairfax (beautiful Olivia Williams of Rushmore) and the duplicitous Frank Churchill (Raymond Coulthard). Of course, at the center, as in all Austen stories, is the romance between the unsuspecting leading lady and an unlikely, but wholly suitable gentleman. In this case, it's Emma and her brother-in-law, the righteous (as played here) Mr. Knightley (Mark Strong). Strong's Mr. Knightley is more reserved, less coy than Jeremy Northam's; he plays Knightley more like Mr. Darcy (the leading man in Austen's Pride and Prejudice, which A&E also offers in a wonderful miniseries). Beckinsale proves to be utterly delightful and in no way should this excellent adaptation be ignored. --N.F. Mendoza

Mansfield Park DVD (1999)

A Canadian director with the chops to helm smart, big-budget movies, Patricia Rozema had her first hit with the quirky I've Heard the Mermaids Singing (1987). Mermaids' heroine, a mouse among art gallery sharks, eventually comes into her own, surpassing the mentor who's risen on mousie's back. Similarly, in Mansfield Park, from Jane Austen's strongly autobiographical novel, penniless city mouse Fanny Price (Frances O'Connor) comes to live in a handsome country manor with the Bertrams, heartless, class-conscious relations. After many cruel setbacks, Fanny manages, by dint of writing talent and moral integrity, to win the day and the love of her life (Trainspotting's Jonny Lee Miller). Unlike filmmakers who dress up Austen's money-driven world in sweetness and light, Rozema rubs our noses in the fact that the Bertrams' wealth flows from the blood and sweat of faraway slaves--and she never euphemizes the down-and-dirty slum life that swallowed up Fanny's mother and threatens Fanny if she refuses to marry the handsome but hollow fortune hunter (Alessandro Nivola) chosen for her by Sir Thomas Bertram. (Playwright Harold Pinter is compelling as Mansfield Park's patriarch, capable of kindness but stone-cold when his aristocratic will is crossed.) Embeth Davidtz (playing Mary, amoral sibling of Fanny's suitor, with wonderfully seductive verve) and O'Connor resemble each other--and they are sisters of a sort, each vying, according to her lights, in a stock market where women must parlay sex and/or smarts to stay alive. Rozema delivers full-blooded Austen and a protofeminist with savvy charm in this entertaining ride in the socioeconomic fast lane, circa 1806. --Kathleen Murphy

Northanger Abbey DVD (1987)

Jane Austen goes Gothic in this darkly dramatic rendering of her Northanger Abbey, a novel that wasn't published until after her early and sudden death. Austen pokes fun at her peers in this story, in which her heroine, Catherine Morland (Katharine Schlesinger), is hopelessly addicted to macabre romance novels that wreak havoc on her imagination. She comes from a large, but loving family, and she's taken, as a companion, to the decadent society of Bath. There, she meets the duplicitous Thorpe siblings, Isabella (Cassie Stuart) and John (Jonathan Coy), and the kindly Tilney sister and brother, Eleanor (Ingrid Lacey) and Henry (Peter Firth). The Tilneys also have an elder brother, the snobbish soldier Frederick (Greg Hicks), and an oddly eerie father, General Tilney (Robert Hardy). Needless to say, all this provides plenty of fodder for fantasies and Catherine comes up with many, even imagining all sorts of evils on a visit to the Tilney family home, Northanger Abbey. The soundtrack is more than a little melodramatic, but it's best to think of it as a humorous touch rather than a serious, punctuating one. --N.F. Mendoza

Persuasion VHS (1971)

This is the best version of Persuasion that I've seen, and I've seen them all. It follows the book almost perfectly, without any unnecessary, aggravating modern day innovations. This is Persuasion as Jane Austen wrote it. Attitudes and opinions were different in the early 1800's and it is absurd to force the attitudes of today onto characters from the past, as so many modern movies do.

Persuasion DVD (1995)

Persuasion is the story of a love that survives eight years of dormancy and the frustrating obstacles of class prejudice in 19th century England. Anne (Amanda Root) is captivated when she meets the dignified naval officer Capt. Wentworth (Ciarán Hinds), but she is advised to discourage his romantic overtures because he has no fortune. They meet again eight years later, but now Capt. Wentworth has become wealthy while Anne's father is in reduced circumstances in the wake of reckless extravagance. A series of circumstances ensue which prevent Anne and Wentworth from expressing their mutual and inevitable love. The film's success depends entirely on the subtle, superb performances of Root and Hinds. The film builds slowly, occasionally leaving you wondering if anything at all is going to happen. When it does, you realize how carefully crafted a film this is, and the final result is grandly rewarding. --Jeff Shannon

Pride and Prejudice VHS (1940)

This literate movie is a reasonably faithful transcription of Jane Austen's sparkling comedy of manners. Adapted from Helen Jerome's play by Aldous Huxley and Jane Murfin, many Austen purists are bothered by the picture, because, for one thing, the time period was advanced 40 years in order to accomadate the showy fashions of the mid 1800s. It seems that when Austen's characters were brought to life by MGM, everything is broadened; like they're more Dickens than Austen - but once one adjusts to this, it's a happily carefree viewing experience! The movie belongs to Olivier, who plays Darcy and Edna May Oliver scores strong as Lady Catherine. In the role of Elizabeth Bennet, Garson isn't as intolerably noble as she became later. She plays her role effectively and has nice diction, but she's seemingly incapable of subtlety (you can get weary watching that eyebrow go up and down like the gold curtain at the old Met!). Freida Inescort, of the slurpy voice, makes a good villainess and Edward Ashley is fine as the villain. Heather Angel does well as Kitty; O'Sullavan and Rutherford are adequate while Marsha Hunt looks beautiful in her overstarched dress - those dresses, which are plastered with ribbons and bows - look like they were designed for an operetta...

Pride and Prejudice VHS (1980)

The 1980 BBC version of "Pride and Prejudice" is pleasurable viewing. Persons who have read the book with pleasure will find the familiar characters presented skillfully, and with no little attention to the spirit of the book.

Pride and Prejudice DVD - The Special Edition (1996)

Sense and Sensibility DVD (1995)

Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton

The Advocate VHS (1994)

The Advocate is an intriguing medieval court drama set in the days when humans and animals were both known to contain the devil. Courtois, an educated lawyer (Colin Firth), leaves the big city to find peace in the countryside but finds murderous acts holding the small hamlet in fear. To the town folk, Courtois's intelligence is nearly as mysterious as witchcraft, which is all the talk of the day. Since we rarely see a movie set in this time period, it intrigues but doesn't teach beyond its initial premise: animals can go on trial. The film is supported by some wonderful character actors, including Ian Holm as a priest with very liberal views and Nicol Williamson as the unofficial king. Lots of naughtiness mostly played for laughs makes this the first thinking person's ribald classic. --Doug Thomas

Apartment Zero VHS (1988)

A tense psychological thriller, Apartment Zero concerns the intertwining of a loner, film buff Colin Firth (The English Patient) and his new mysterious boarder (Hart Bochner) in present-day Argentina. The new roommate is enigmatic and outgoing, befriending everyone that the poor loner could not. But Firth soon suspects a connection between his boarder's appearance and the reports of bodies in the streets murdered for political reasons.

Bridget Jones's Diary DVD (2001)

Featuring a blowzy, winningly inept size-12 heroine, Bridget Jones's Diary is a fetching adaptation of Helen Fielding's runaway bestseller, grittier than Ally McBeal but sweeter than Sex and the City. The normally sylphlike Renée Zellweger (Nurse Betty, Me, Myself and Irene) wolfed pasta to gain poundage to play "singleton" Bridget, a London-based publicist who divides her free time between binge eating in front of the TV, downing Chardonnay with her friends, and updating the diary in which she records her negligible weight fluctuations and romantic misadventures of the year. Things start off badly at Christmas when her mother tries to set her up with seemingly standoffish lawyer Mark Darcy (Colin Firth), whom Bridget accidentally overhears dissing her. Instead she embarks on a disastrous liaison with her raffish boss, Daniel Cleaver (Hugh Grant, infinitely more likeable when he's playing a baddie instead of his patented tongue-tied fops). Eventually, Bridget comes to wonder if she's let her pride prejudice her against the surprisingly attractive Mr. Darcy.

Circle of Friends DVD (1995)

A polished gem from 1995, this disarmingly sweet and dramatically insightful love story provided a charming showcase for Chris O'Donnell and, especially, then-newcomer Minnie Driver, whose performance drew critical raves and boosted her career to Hollywood. Smoothly adapted from the novel by Maeve Binchy and set in Ireland during the 1950s, the story focuses on Benny (Driver), a somewhat plump, plain-looking young woman attending university in Dublin who meets and quickly falls for Jack (O'Donnell), a handsome star of the university's rugby team who surprisingly reciprocates her glowing admiration. They're drawn together as soul mates, and their love is dramatically contrasted with a subplot involving Benny's more conventionally beautiful friend Nan (Saffron Burrows), whose appetite for older men leads her into a misguided and ultimately tragic relationship. A betrayal by Jack sets the stage for potential heartbreak, but director Pat O'Connor prevents these carefully drawn characters from resorting to sappy melodrama. They have lessons to learn about life and love, and Circle of Friends teaches those lessons with grace, humor, and heartfelt sincerity. --Jeff Shannon

The English Patient DVD (1996)

Winner of nine Academy Awards and almost every critic's heart, The English Patient (based on Michael Ondaatje's prizewinning novel of love and loss during World War II) is one of the most acclaimed films of modern times. Hana, a nurse (Juliette Binoche), tends to an archaeologist (Ralph Fiennes) who has been burnt to a crisp in a plane crash. As their relationship intensifies, he flashes back to his overwhelming passion for a married woman (Kristin Scott Thomas). Meanwhile, Hana begins a new romance with a man who defuses bombs (Naveen Andrews) and Willem Dafoe almost steals the show as the thumbless thief Caravaggio. The intricately layered flashback narrative, sounding the depths of the lovers' hearts, improves with repeated viewings--especially with the sharp picture and digital sound of the digital video disc.

Fever Pitch DVD (1997)

Rumpled, amiable Colin Firth plays a rumpled, amiable English teacher named Paul. He's also an obsessive football (soccer to us Americans) fan who's been avidly following the Arsenal team for 18 years. When he falls into a relationship with a new teacher named Sarah (played by Ruth Gemmel), his deep attachment to Arsenal proves an obstacle. This sounds like some cheap men-and-women-don't-understand-each-other setup, but instead Fever Pitch not only explores the origins of Paul's football fandom, it actually communicates an infectious sense of what that kind of sports enthusiasm can mean, how it can provide an almost tribal identity. Even better, the movie takes this devotion seriously without ever losing sight of how it can be completely ridiculous at the same time, resulting in some amazing, funny scenes. Gemmel is charming, and Firth is simply superb. He's a great actor who's never quite fit into conventional leading man roles and so tends to play oddballs and redeemable villains, as in Shakespeare in Love, The English Patient, and Apartment Zero. He's a perfect fit for this script, written by Nick Hornby (author of High Fidelity and About a Boy) from his novel of the same name. The humor of this movie is all the more engaging because it's grounded in richly developed characters and emotions. Fever Pitch is excellent. Also featuring a hilarious cameo by Stephen Rea (The Crying Game, Guinevere). --Bret Fetzer

My Life So Far DVD (1999)

First-person narrator Fraser Pettigrew (Robert Norman) is age 10 in 1920, a moment when it seems that the charmed life of Kiloran, the rambling Scottish estate he shares with several generations of his relentlessly quaint family, will go on forever. Even a stray shellshock casualty from the Great War--a sub-Dickensian bogeyman who haunts the grounds--is treated as a picturesque bit of local color. The family is what counts: would-be inventor Colin Firth, eccentric paterfamilias and sphagnum moss farmer; his wife Mary Elizabeth Mastrantonio, who traded an opera career for multiple maternity; crusty uncle Malcolm McDowell, who hopes to inherit Kiloran from matriarch Rosemary Harris and evict everybody; and Irène Jacob, the beauteous young Frenchwoman to whom the uncle is engaged and over whom everyone else goes gaga. Not to mention a gaggle of precocious siblings, colorful servants, and oddball interlopers.

Relative Values DVD (2000)

A comedy of discriminating taste and dirty little secrets. When a movie star and Hollywood diva Miranda Frayle break up, a playboy prince with a stiff upper lip sweeps her off her feet and boldly takes her home to meet his high-class, society-minded mother, who is none-too-pleased at the thought of having a "starlet" in the family. But when the former boyfriend hears about the wedding, he jumps back in the spotlight--and with the help of Miranda's meddling mother-in-law to be, he may just win her back.

Shakespeare in Love DVD (1998)

One of the most endearing and intelligent romantic comedies of the '90s, the Oscar-winning Shakespeare in Love is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, Romeo and Ethel, the Pirate's Daughter. Jokey comedy, though, soon takes a backseat to ravishing romance when the beautiful Viola De Lesseps (Gwyneth Paltrow) disguises herself as a young man to wangle herself an audition in the all-male cast, and wins both the part of Romeo and, after much misunderstanding, the playwright's heart. Soon enough, Will's pirate comedy becomes the beautiful, tragic Romeo and Juliet, reflecting the agony and ecstasy of Will and Viola's romance--he's married and she's set to marry the slimy Lord Wessex (Colin Firth) in the near future.

 

Valmont DVD (1989)

Talk about too little, too late. A year after Stephen Frears's marvelous Dangerous Liaisons, Milos Forman released this film, based on the same material: the novel Les Liaisons Dangereuses. Shot at the same time but held so as not to compete, it suffered by comparison. The story--about a pair of aristocrats, former lovers, who wager that the man cannot seduce a particularly chaste woman--is still awash in lust and intrigue. But, while Forman's craft was exceptional, his cast couldn't match the power of its predecessor. In particular, Colin Firth, as the game-playing title character, lacked the snaky charm of John Malkovich, and Meg Tilly couldn't compare to the tragic beauty of Michelle Pfeiffer. Annette Bening, though born to play a vixen, seemed callow and insubstantial next to the sinister depths of Glenn Close. --Marshall Fine

 

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